Authors who publish their own writing via the services available on the internet know very well how frustrating the formatting process can be. It’s a labor, but it’s a learning process too. A simultaneous release of a book, as I am doing for this novel, requires a separate format for each version. While I believe I know something about the English language and formatting that, I am no master of book formatting.
The cover of this book is a detail of the great Mary Magdaleme painted by Carlo Crivelli around 1480, around Ascoli Piceno in Italy. It hangs in the Rijksmuseum in Amsterdam, one of the world’s greatest art museums. So special thanks to them, again.
Getting the cover right format-wise is part of the labor. This permits that font; that permits only other fonts. And so on. Then there is the business off getting the position of the letters in the right place on top of the image. On and on it goes. Thanks to Carlo Crivelli’s genius, the readers can just focus on that beauty and use the text over top of it as a source of mere information.